Thursday, March 31, 2011

London calling

I just reviewed Salvatore Rubbino’s nonfiction picture book A Walk in London (Candlewick, March) for the May/June 2011 issue of The Horn Book Magazine. A follow-up to A Walk in New York, Rubbino’s new book is equally engaging, informative, and beautifully illustrated—and had me longing for a plane ticket back to my beloved study-abroad city.

Needing a London fix, I picked up London: A 3D Keepsake Cityscape illustrated by Sarah McMenemy, also from Candlewick and due out in May. At roughly 4 inches by 4 inches with an accordion-fold format, this definitely isn't a tour book or map to use as reference while wandering Kensington or Westminster, but it makes a perfect souvenir or gift. Both sides of the accordion showcase twelve cut-paper, pop-out illustrations of London landmarks with general information about each. Two maps place the sites in geographical relation to one another. For London lovers like myself, these pop-outs of famous places like Westminster Abbey (where Prince William and Kate will be married on April 29th!) or The London Eye are a great way to reminisce.


I hope more Keepsake Cityscapes are in the works and can’t wait to see which city will be next: New York? Boston? Paris? Rome? Washington, D.C.? There's a world of possibilities.

—Cindy Ritter

Tuesday, March 29, 2011

Upcoming stars

Look for these starred reviews in the May/June issue of The Horn Book Magazine:

Tweak Tweak by Eve Bunting; illus. by Sergio Ruzzier (Clarion)
RRRalph by Lois Ehlert (Beach Lane/Simon)
Good Luck, Anna Hibiscus! and Have Fun, Anna Hibiscus! by Atinuke; illus. by Lauren Tobia (Kane Miller)
The Trouble with May Amelia by Jennifer L. Holm; illus. by Adam Gustavson (Atheneum)
The Last Little Blue Envelope by Maureen Johnson (HarperTeen/HarperCollins)
Lark by Tracey Porter (HarperTeen/HarperCollins)
Jasper Jones by Craig Silvey (Knopf)
Encyclopedia Mythologica: Dragons & Monsters by Matthew Reinhart and Robert Sabuda (Candlewick)
Can We Save the Tiger? by Martin Jenkins; illus. by Vicky White (Candlewick)
Into the Unknown: How Great Explorers Found Their Way by Land, Sea, and Air by Stewart Ross; illus. by Stephen Biesty (Candlewick)

Friday, March 25, 2011

Public Service Announcement

Children's Technology Review is a monthly Consumer Reports-like PDF newsletter "designed to summarize the latest products and trends in children’s interactive media." They review lots of children's apps, of course, and they've ventured into book app territory, as well. Their focus, natch, is on the quality of the technology rather than the text and illustrations, but they got it right when they included Loud Crow's Popout! The Tale of Peter Rabbit on their list of Best Apps for Kids of 2010.

Thursday, March 24, 2011

We're still waiting for spring in Boston...

but the Spring 2011 Guide just came in!

We can't stop exclaiming over the gorgeous cover, featuring art from Anita Lobel's Nini Lost and Found. Kudos to all the Guide goddesses and designer Lolly -- and Ms. Lobel, of course.

Hide-and-Seek with Charley Harper

The modernist wildlife artist Charley Harper died in 2007, but his work lives on via books and merchandise featuring his recognizable art. It was only a matter of time before an app appeared, and Night and Day Studios has taken the challenge. Their Peekaboo Forest reconfigures elements of Harper's paintings and silkscreen prints (such as Foxsimiles, Weasel, and Octoberama) into a series of forest settings that change with the seasons. Rather than a story, Peekaboo Forest falls somewhere between a concept book and a game: touch an animated peeking-out tail or ear to reveal a labeled forest creature, accompanied by audio of the animal's sound and name.

The app features three narrators, in English and Spanish, who can be turned on and off. My favorite is the child narrator (credited as 3-year-old Hazel), who's adorably exuberant if occasionally harder to understand than her adult counterparts. The animal sounds are also optional -- but what's the fun in turning those off? Offering the choice to turn off narration while keeping animal sounds is a smart move, allowing sound to act as a clue to each creature's identity without having the answer imposed upon you by some know-it-all narrator. The sounds are sometimes surprising: along with the typical ribbits, buzzes, and squeaks, there are snorting and chomping noises. Some "peekaboos" are unexpected, too, as when eyes glowing in the dark illuminate a pack of raccoons.

While gorgeous and well-conceived in many ways, Peekaboo Forest does have some flaws. The order of animals' appearance is dictated by the app, rather than the user. Frustratingly, there's no way to skip from season to season or animal to animal; in order to see foxes in the fall, for instance, you have to make your way through winter, spring, and summer at 3–4 animals per season. The animations are non-repeatable, though a "loop" option allows you to cycle through the year indefinitely and catch 'em next time around.

Harper's boldly colored, geometric nature art -- with plenty of eye-catching patterns -- is well-suited to this kind of educational game, and Night and Day has nicely reimagined his work for a new format and young audience. I'm looking forward to seeing what the company does next (and hoping they work out a few kinks).

-- Katie Bircher

Monday, March 21, 2011

App Smackdown

Eileen Christelow’s Five Little Monkeys Jumping on the Bed (HMH) and Sandra Boynton’s The Going to Bed Book (Little Simon) are probably on most toddlers’ bookshelves. How do the app versions of these popular titles compare to the books and to each other?

Oceanhouse Media’s Five Little Monkeys takes the high road. Less about bells and whistles and more about improving reading skills, this app features unobtrusive monkey noises and other sound effects accompanying static illustrations. Tap objects on the screen and the word for said object appears briefly along with the narrator saying “pajamas!” or “ice pack.” Does that feature “promote reading in young children” (per OM’s website)? I’m no reading specialist, but I wonder why we need to "promote reading" among this book's audience. Read to your bunny, sure, but work on word recognition? Way to suck the life out of a good storytime. Even if the narrator wasn’t irritatingly chipper (which she is), I found this good-for-you route to be dull -- no improvement over or substitute for the old-fashioned book or audio book. And if you choose to turn off the narrator, why not just pick up the book, which is easier for little hands to hold anyway?

Loud Crow Interactive, in my admittedly limited experience with these things, knows how to produce book apps (check out their Peter Rabbit -- it’s superb), honoring the original book while adding just the right amount of special-effects pizzazz. With Sandra Boynton’s The Going to Bed Book, I'll even go so far as to say that Loud Crow’s digital interpretation is superior to the print edition. Blasphemy? I guess that depends on what you feel a book app should be. I’m not suggesting that this app replace the book, because once a child is distracted with rocking the boat, popping bubbles, and wiping steam off the screen (totally cool) they're not going to pay much attention to Boynton's verse. Speaking of which, Billy J. Kramer’s soothing, accented narration and the quiet, gentle background music enhance the whole experience. Like Oceanhouse, Loud Crow’s app highlights each word in the text as it’s being read, a harmless if pointless exercise for the board-book set. Here, however, when you slide out an onscreen drawer, instead of hearing and seeing the word drawer, a bunch of pajamas pop out of the drawer and fall all over the screen. Tip the screen side to side and the jammies tumble to the left and the right. Just the kind of surprise this audience likes, and just the kind of thing that apps do best.

-- Kitty Flynn

Thursday, March 17, 2011

Thirsty?

I'm currently appreciating Teeth: Vampire Tales (HarperCollins), an upcoming short story anthology edited by Ellen Datlow and Terri Windling. The big-name contributors such as Neil Gaiman, Ellen Kushner, Holly Black, Tanith Lee, and Garth Nix initially caught my attention, but it's refreshing to find tales by authors I haven't read before (Suzy McKee Charnas, Steve Berman) or haven't read in this genre (Cecil Castellucci, Delia Sherman). With series like Twilight, House of Night, Vampire Academy, Vampire Kisses, and Vampire Diaries running at a minimum of four volumes each (often more like six or seven), sometimes vampire fiction feels as endless and unchanging as its undead protagonists. Short stories by new voices make for a nice change.

The Fledgling Handbook 101 by P.C. Cast and Kim Doner (St. Martin's Griffin) is a "nonfiction" companion to P.C. and Kristin Cast's "vampyre" boarding school series, House of Night. Purportedly a student handbook for incoming first-years (think J.K. Rowling's "textbooks" Quidditch Through the Ages and Fantastic Beasts and Where to Find Them), The Fledgling Handbook covers history of the vampyre race, what to expect during one's vampyre transformation, school rules and traditions. Journal sections allow the student to chronicle accomplishments and adventures while at the school. Cast and Doner create lore for the pseudo-Wiccan magic-wielding vampyres from human history and mythology, recasting monarchs, gods and goddesses, and artists as vampyres. Did you know Cleopatra, Boudicca, and Hippolyta were "Nightkind"? No? What about Cicero, Sappho, and Shakespeare? Clearly you weren't paying attention in world history.

-- Katie Bircher